Quiet textures for the rooms you actually live in

Fabric & care

About AELS

We make the layer that goes on top of the furniture: the pillow, the cover, the frame, the basket in the corner.

What we make

A hundred and twelve pieces in seven ranges. Botanical and novelty pillows are the two halves of the cushion side, and they sit at opposite ends of the same shelf: one is leaves, ferns and pressed flowers, the other is lips, hearts, chess pieces and a cat. Covers are the range for people who already own the inserts. Coastal is shells, coral and driftwood tones. Frames and displays, baskets and storage, and a small lighting and accent range fill in the hard surfaces.

The split is deliberate, and it is not a color split. A room is put together in layers, and each range is a layer: something soft to lean on, something woven to hide the clutter, something framed to look at. You can buy one piece from one range and never touch the other six, which is how most people actually use us.

Why texture instead of pattern

Pattern dates. A print that was everywhere three years ago is the reason a sofa looks tired now, and it dates faster in a photograph than it does in a room. Texture does not do that. Velvet, corduroy, chenille and plush read as depth rather than as a decision, and they carry a room through a change of paint color without needing to be replaced.

So the catalog is built out of surfaces. Thirty-three pieces here are velvet, and the reason there are that many is that velvet is the one fabric that changes with the light in the room: the same cushion is two tones depending on where you are standing. Plush, faux fur, corduroy, chenille, cotton, linen and microfiber each do a smaller version of the same trick.

How this catalog works

Every piece on this site is one we make, listed under the name we use for it rather than the string a marketplace search has turned it into. Prices and availability are read from the live listing when the site is built, so the number on a product page is the number the checkout will say when you get there.

What we do not do is fill in blanks. If a listing does not state a size, a fabric or whether an insert is included, the field on that page stays empty rather than getting a plausible guess. In a catalog where the difference between a cushion and a cushion cover is the whole purchase, a plausible answer is worse than no answer.

The things we get wrong

Two of them, and both are worth naming. The first is the cover-and-insert confusion. Seventeen pieces here are covers with no filling inside, and twenty-nine arrive stuffed and ready to drop on a sofa. Every product page says which, in the same place, in the same words — but it remains the single most common disappointment in this category, and reading that one line before ordering prevents almost all of it.

The second is velvet in a house with a cat or a large dog. Short-pile velvet holds hair the way a lint roller does, and no amount of washing changes that. If the sofa is already covered in hair, corduroy or a tight-woven cotton is the better answer from this catalog and we would rather say so here than have the cushion come back.

Also worth reading

  • How we make them

    Three kinds of making run through the catalog: things sewn, things cast, and things woven.

    5 sections
  • Fabric and care

    Fifty-one pieces here go in a washing machine. The rest need a cloth and about a minute, and knowing which is which is most of the job.

    5 sections
  • Styling guide

    Most of the decisions here are arithmetic rather than taste, and getting the arithmetic right is what makes the taste part easy.

    5 sections